Each tune/song gets a unique treatment from the band, but nothing seems unnatural or forced. Most impressively, for me, anyways, is just how everything seems to fit together.
But they a do have a lot to say, occasionally trading off licks with a lead guitar, with the band's rhythm section provides a rock-steady forum for them to say it. With seven of the eleven tracks being instrumentals, it is clear that the pipes do the talking for the lion's share of the CD. The CD runs the gamut from these traditional songs to a cover of Slade's 'Run Runaway' (that almost smiles in pride of itself, and at what it has become,) to the delicate weaving of 'Aria's Waltz', and wrapping the whole package up with a medley called 'Stairway to Scotland' that takes 'Amazing Grace' and 'Scotland the Brave' to a place more suited to crowd-surfing than funereal melancholy. The band, Prydein, is comprised of the bass, drums, and guitar line-up with the addition of not one, but two Great Highland Bagpipes players, and, as the disc title may suggest, the pipes are very predominantly featured throughout this release, taking a break on only two of the tracks, both uniquely arranged traditionals the swinging rockabilly of 'The Wild Rover', and a laid-back, strolling 'Nancy Whiskey', with the latter tagging-in the tin whistle for ornamentation. And although the band does dip a toe into the pools of funk, ska, rockabilly, metal, and of course, Celtic music, they are at their heart a rock band. This sounded like a combination of two of my favorites styles of music Celtic folk-punk and Classic Rock.
From Christopher Toler, THE Blathering Gommel on ShitenOnions: 'After reading through the Shite 'n' Onions review of Prydein's Loud Pipes I was mighty intrigued. This one is no holds barred and will leave you wanting more. Stairway to Scotland (Amazing Grace and Scotland the Brave)
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